{"id":437,"date":"2023-01-29T21:55:26","date_gmt":"2023-01-29T21:55:26","guid":{"rendered":"https:\/\/laurencebancaud.com\/?page_id=437"},"modified":"2025-09-03T08:01:04","modified_gmt":"2025-09-03T08:01:04","slug":"references","status":"publish","type":"page","link":"https:\/\/laurencebancaud.com\/en\/ton-that-tiet\/references\/","title":{"rendered":"References"},"content":{"rendered":"<h2 class=\"has-x-large-font-size\" style=\"margin-top:40px;margin-right:40px;margin-bottom:40px;margin-left:40px\"><strong>Discography<\/strong><\/h2>\n\n\n\n<p><strong>Hy vong 267&nbsp;&nbsp;<\/strong><br>Jean-Claude Malgoire et Dani\u00e8le Salzer&nbsp;<br>CBS POOT.S.3461142&nbsp;<\/p>\n\n\n\n<p><strong>Incarnations structurales&nbsp;<\/strong><br>Trio Nordmann&nbsp;<br>ERATO STU. 70706&nbsp;<\/p>\n\n\n\n<p><strong>Ba doan khuc&nbsp;&nbsp;<\/strong><br>Bernard Fauchet&nbsp;<br>Calumet 3732&nbsp;<\/p>\n\n\n\n<p><strong>Tuong ni\u00eam&nbsp;<\/strong><br>Trio Debussy et Jacqueline Pierre&nbsp;<br>GLB 010&nbsp;<\/p>\n\n\n\n<p><strong>Chu ky III&nbsp;<\/strong><br>Marie-Claire Jamet&nbsp;<br>ERATO STU.71160&nbsp;<\/p>\n\n\n\n<p><strong>Trung dzuong&nbsp;<\/strong><br>Genevi\u00e8ve Ibanez&nbsp;<br>REM 11009&nbsp;<\/p>\n\n\n\n<p><strong>Chu ky I&nbsp;&nbsp;<\/strong><br>Trio \u00e0 Cordes de Paris&nbsp;<br>ERATO-MUSIFRANCE, MFA 2292-45019-2&nbsp;<\/p>\n\n\n\n<p><strong>Terre-Feu&nbsp;<\/strong><br>John Graham&nbsp;<br>CRI 6017&nbsp;<\/p>\n\n\n\n<p><strong>Ni\u00eam \/ Trung dzuong \/ M\u00e9tal-Terre-Eau \/ Terre-Feu \/&nbsp; Jeu des Cinq \u00c9l\u00e9ments I \/ Jeu des Cinq \u00c9l\u00e9ments III&nbsp; <\/strong><br>Les solistes de l&rsquo;Ensemble Intercontemporain et Genevi\u00e8ve Ibanez REM 311232&nbsp;<\/p>\n\n\n\n<p><strong>L&rsquo;Odeur de la papaye verte&nbsp;<\/strong><br>Les solistes de l&rsquo;Ensemble Intercontemporain&nbsp;<br>Milan East 30108-2&nbsp;<\/p>\n\n\n\n<p><strong>Trois Estampes&nbsp;<\/strong><br>Trio d&rsquo;Argent&nbsp;<br>Md\u2019A Production MDA 9402<\/p>\n\n\n\n<p><strong>Pr\u00e9ludes \u00e0 un dialogue&nbsp;<\/strong><br>Jean Horreaux et Jean-Marie Tr\u00e9hard&nbsp;<br>REM 311 206&nbsp;<\/p>\n\n\n\n<p><strong>Cyclo&nbsp;<\/strong><br>Bande originale du film&nbsp;<br>Milan Asia 74321 30108-2&nbsp;<\/p>\n\n\n\n<p><strong>\u00c0 la Verticale de l\u2019\u00e9t\u00e9&nbsp;<\/strong><br>Bande originale du film&nbsp;<br>Na\u00efve Y 225096&nbsp;<\/p>\n\n\n\n<p><strong>Chu ky III&nbsp;<\/strong><br>H\u00e9l\u00e8ne Breschand \u2013 harpe&nbsp;<br>IN SITU IS 190&nbsp;<\/p>\n\n\n\n<p><strong>Dialogue avec la nature \/ V\u00f4-vi \/ Pr\u00e9ludes \u00e0 un dialogue&nbsp;<\/strong><br>Duo Horreaux \u2013 Trehard&nbsp;<br>Orchestre Poitou-Charentes, direction : Xavier Rist&nbsp;<br>Calliope 9268&nbsp;<\/p>\n\n\n\n<p><strong>L\u00e9gendes de la terre du sud&nbsp;<\/strong><br><strong>(Les Rois Hung \u2013 Le Ver \u00e0 soie)&nbsp;<\/strong><br>Georges Wilson \u2013 Sylvaine Daven\u00e9&nbsp;<br>Orchestre National d\u2019Ile de France, direction : Jacques Mercier&nbsp;<br>RCA Red Seal 75321 70943 2&nbsp;<\/p>\n\n\n\n<p><strong>Les Sourires de Bouddha&nbsp;<\/strong><br>Ch\u0153ur de chambre Les \u00c9l\u00e9ments, direction : Jo\u00ebl Suhubiette&nbsp;<br>Hortus 027&nbsp;<\/p>\n\n\n\n<p><strong>Les Jardins d\u2019autre monde \/ Et la rivi\u00e8re chante l\u2019\u00e9ternit\u00e9 \/ Po\u00e8mes <\/strong>Sophie Bellanger, harpe&nbsp;<br>Ensemble Les Temps Modernes, direction : Fabrice Pierre&nbsp;<br>Hortus 046&nbsp;<\/p>\n\n\n\n<p><strong>L\u2019Arbal\u00e8te magique<\/strong><br>Livre-disque : conte de T\u00e2m Q\u00f9y et illustrations de Christos Konstantellos Ensemble Musicatreize, direction : Roland Hayrabedian&nbsp;<br>Actes Sud \/ Musicatreize M13ARBA&nbsp;<\/p>\n\n\n\n<p><strong>Images du temps&nbsp;&nbsp;<\/strong><br>Ghislaine Petit-Volta, harpe&nbsp;<br>Orchestre d\u2019Harmonie de la R\u00e9gion Centre, direction : Philippe Ferro Klarthe 2015&nbsp;<\/p>\n\n\n\n<p><strong>Cinq pi\u00e8ces pour hautbois et piano \/ Vision II \/Tu dai canh \/ Ai van I \/ Ai van II<\/strong><br>Andrzej \u0141\u0119gowski \u2013 fl\u00fbtes, \u0141ukasz Krzemi\u0144ski \u2013 hautbois, Jakub Drygas \u2013 clarinette,&nbsp; Arkadiusz Adamczyck \u2013 basson &amp; Joanna Balewska \u2013 clavecin et piano. Akademia Muzycznia Im. I. J. Paderewskiego, Pologne, 2017&nbsp;<br>direction artistique : Joanna Balewska&nbsp;<br>AM 0-65 Zaiks&nbsp;<\/p>\n\n\n\n<p><strong>M\u00e9tal Terre Eau&nbsp;<\/strong><br>Elsa Grether&nbsp;<br>Kaleidoscope, label Fuga Libera, 2017&nbsp;<\/p>\n\n\n\n<p><strong>Regards dans la brume&nbsp;<\/strong><br>Quintette Syntonia&nbsp;<br>Klarthe K062, 2018&nbsp;<\/p>\n\n\n\n<p><strong>Incarnations structurales\/Chu Ky III\/The endless murmuring I\/Le tombeau de&nbsp; Christian Lard\u00e9\/Th\u00fay L\u00e2m V\u00f4\/M\u00e9moire de sons&nbsp;<\/strong><br>Trio Salzedo&nbsp;<br>Premiers horizons, 2019. REF.070.173&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"has-x-large-font-size\" style=\"margin-top:40px;margin-right:40px;margin-bottom:40px;margin-left:40px\"><strong><strong><strong>Documentaries<\/strong><\/strong><\/strong><\/h2>\n\n\n\n<p><em>T\u00f4n-Th\u00e2t Ti\u00eat\u2026 et la rivi\u00e8re coule\u2026, <\/em>r\u00e9alisation : Laurence Bancaud, production : Les signes&nbsp; de l\u2019arc, 2020.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"T\u00f4n-Th\u00e2t Ti\u00eat ... et  coule la rivi\u00e8re...\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/DpQo7I0JApk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><em>Une \u00e9motion \u00e0 transmettre<\/em>, r\u00e9alisation : Laurence Bancaud, production : Conservatoire &amp;&nbsp; Orchestre de Caen, 2021.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u00ab Une \u00e9motion \u00e0 transmettre \u00bb de Laurence Bancaud \u2013 Festival Aspects des Musiques d\u2019Aujourd\u2019hui 2021\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/8uWpf-92q84?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-elements-abf7f2ab41bb5e594e0aa317fe828ebe has-link-color\"><em>T\u00f4n-Th\u00e2t Ti\u00eat et le silence<\/em> : Hu\u1ef3nh Qu\u1ed1c T\u1ec1, musicologue et \u00e9diteur, parle du silence dans la musique de T\u00f4n Th\u1ea5t Ti\u1ebft, 2010.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ton That Tiet et le Silence\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/bHlVXeOqe5k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><em>Po\u00e8mes<\/em>, de T\u00f4n-Th\u00e2t Ti\u00eat, pour fl\u00fbte, alto, harpe et trio Ca  tr\u00f9. Pr\u00e9sentation de l\u2019\u0153uvre<br>par Corinne Schneider, avec le Trio Antara et l\u2019ensemble Ca tr\u00f9 en pr\u00e9sence de T\u00f4n-Th\u00e2t Ti\u00eat. Paris. Les Films de l\u2019An 2. 2011. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Po\u00e8mes, de T\u00f4n-Th\u00e2t Ti\u00eat, pour fl\u00fbte, alto, harpe et bande son.\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ISZjanrHe-s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"has-x-large-font-size\" style=\"margin-top:40px;margin-right:40px;margin-bottom:40px;margin-left:40px\"><strong><strong>Bibliography<\/strong><\/strong><\/h2>\n\n\n\n<p><strong>Texts from T\u00f4n-Th\u00e2t Ti\u00eat&nbsp;<\/strong><\/p>\n\n\n\n<p>T\u00e9moignages sur Jolivet :&nbsp;<br><em>Andr\u00e9 Jolivet, Portraits<\/em>. Laetitia Chassain et Lucie Kayas (dir.), Paris : Actes Sud, 1994. <em>Jolivet p\u00e9dagogue<\/em>. Emmanuel Hond\u00e9, dans <em>Portrait(s) d\u2019Andr\u00e9 Jolivet<\/em>, Paris : BnF,&nbsp; 2005.&nbsp;<\/p>\n\n\n\n<p>T\u00e9moignage sur Ohana :&nbsp;<br><em>Maurice Ohana<\/em>. Edith Canat de Chizy et Fran\u00e7ois Porcile, Paris : Fayard, 2005.&nbsp;<br><br>Livret du CD <em>Vi\u00eat Nam Musiques de Hu\u00e9<\/em>, In\u00e9dit (W260073), Maison des Cultures du Monde,&nbsp; 1996.&nbsp;<\/p>\n\n\n\n<p><strong>Writings about T\u00f4n-Th\u00e2t Ti\u00eat&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-elements-f478b6514255c6865b015076ab5be47f has-link-color\"><em>T\u00f4n-Th\u00e2t Ti\u00eat, Orient et Occident,<\/em> Laurence Bancaud, M\u00e9moire de Ma\u00eetrise, Universit\u00e9 de Tours, 1992.<br><a href=\"https:\/\/mediatheque.cnsmdp.fr\/opac?id=c4c4e1fe-5ac0-4a4b-95b2-fcdfda1fe590\" data-type=\"URL\" data-id=\"https:\/\/mediatheque.cnsmdp.fr\/opac?id=c4c4e1fe-5ac0-4a4b-95b2-fcdfda1fe590\" target=\"_blank\" rel=\"noreferrer noopener\">m\u00e9moire<\/a><\/p>\n\n\n\n<p class=\"wp-elements-90e7bd368399c4f53b56dc4bcd295fa0 has-link-color\"><em>T\u00f4n-Th\u00e2t Ti\u00eat, Le temps suspendu. <\/em>Laurence Bancaud, Paris : Jobert, 1998. <br><br><em>T\u00f4n-Th\u00e2t Ti\u00eat, Dialogue avec la nature. <\/em>Laurence Bancaud, Paris : Cig\u2019art, 2010.&nbsp;<br><br>Dossier T\u00f4n-Th\u00e2t Ti\u00eat, par Laurence Bancaud. <a rel=\"noreferrer noopener\" href=\"https:\/\/latraversiere.fr\/boutique\/traversieres-magazine\/traversieres-magazine-n148\/\" data-type=\"URL\" data-id=\"https:\/\/latraversiere.fr\/boutique\/traversieres-magazine\/traversieres-magazine-n148\/\" target=\"_blank\">Traversi\u00e8res magazine n\u00b0148<\/a>.<br>Dossier T\u00f4n-Th\u00e2t Ti\u00eat, par Laurence Bancaud. Bulletin de l&rsquo;AIHAH n\u00b061.2 Hiver 2023\/2024<br><br><em>Po\u00e8mes, de T\u00f4n-Th\u00e2t Ti\u00eat, Au prisme des transferts culturels<\/em>, Nicolas Porcher, M\u00e9moire d&rsquo;esth\u00e9tique, CNSMDP, 2022<br><a rel=\"noreferrer noopener\" href=\"https:\/\/mediatheque.cnsmdp.fr\/opac?id=c2ec3ec8-bbe2-4f1a-8be7-fe97b69514d6\" data-type=\"URL\" data-id=\"https:\/\/mediatheque.cnsmdp.fr\/opac?id=c2ec3ec8-bbe2-4f1a-8be7-fe97b69514d6\" target=\"_blank\">m\u00e9moire<\/a><\/p>\n\n\n\n<p class=\"wp-elements-a5a143bb09f3d80ce1f06aaa45f73173 has-link-color\"><em>L\u2019influence de la pens\u00e9e orientale sur la musique de T\u00f4n-Th\u00e2t Ti\u00eat<\/em>. Ngo Huong Giang,&nbsp; M\u00e9moire de Ma\u00eetrise, Universit\u00e9 Paris IV &#8211; Sorbonne, 2003.&nbsp;<\/p>\n\n\n\n<p class=\"wp-elements-c2d62b7bdafa39a42aac00c15a7be2b8 has-link-color\">Entretien d&rsquo;H\u00e9l\u00e8ne Breschand \u00e0 propos de <em>Chu Ky III<\/em><br><a href=\"https:\/\/laurencebancaud.com\/wp-content\/uploads\/2023\/10\/Chu-Ky-III-interview-1.pdf\" data-type=\"URL\" data-id=\"https:\/\/laurencebancaud.com\/wp-content\/uploads\/2023\/03\/TTTinterview-HB.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">entretien<\/a><\/p>\n\n\n\n<p class=\"wp-elements-f2f7ce2da7c051568de354c9ace2eb01 has-link-color\">Entretiens avec T\u00f4n-Th\u00e2t Ti\u00eat dans :<br>\u00ab Isabelle Leymarie s\u2019entretient avec Ton-That Ti\u00eat \u00bb, Le courrier de<br>l\u2019UNESCO, une fen\u00eatre ouverte sur le monde, 1998, vol.37, 1998.<br><a rel=\"noreferrer noopener\" href=\"https:\/\/unesdoc.unesco.org\/ark:\/48223\/pf0000111125_fre\" data-type=\"URL\" data-id=\"https:\/\/unesdoc.unesco.org\/ark:\/48223\/pf0000111125_fre\" target=\"_blank\">entretien<\/a><br><br><em>Pr\u00e9sence du clavecin dans la musique fran\u00e7aise des ann\u00e9es 60 \u00e0 nos jours<\/em>. Emmanuelle Tat,&nbsp; Th\u00e8se de Doctorat, Universit\u00e9 Paris IV &#8211; Sorbonne, 2002.<br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.laflutedepan.com\/livre\/5001785\/emmanuelle-tat-presence-du-clavecin-dans-la-musique-francaise-des-annees-70-a-nos-jours-.html\" data-type=\"URL\" data-id=\"https:\/\/www.laflutedepan.com\/livre\/5001785\/emmanuelle-tat-presence-du-clavecin-dans-la-musique-francaise-des-annees-70-a-nos-jours-.html\" target=\"_blank\">Livre<\/a>&nbsp;<\/p>\n\n\n\n<p class=\"wp-elements-96c5b54d1b65733a2a7813adf58dcc82 has-link-color\">Quelques \u00e9l\u00e9ments d\u2019analyse dans :&nbsp;<br><em>Analyse du langage musical de Debussy \u00e0 nos jours<\/em>. Anthony Girard, Paris : Billaudot, 2005.<br><br><a href=\"http:\/\/tonthattiet.com\/\" data-type=\"URL\" data-id=\"http:\/\/tonthattiet.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">site web de T\u00f4n-Th\u00e2t Ti\u00eat<\/a><br><\/p>\n\n\n\n<p class=\"wp-elements-4536a9b5f3b61df8bee1a6954878ddf0 has-link-color\">Podcast France Musique : <a href=\"https:\/\/www.radiofrance.fr\/francemusique\/podcasts\/le-concert-de-20h\/archives-ton-that-tiet-6413508\" class=\"ek-link\">https:\/\/www.radiofrance.fr\/francemusique\/podcasts\/le-concert-de-20h\/archives-ton-that-tiet-6413508<\/a> : enregistrements de concerts de Tuong Ni\u00eam, Ngu Hanh II, Vo Vi, Jeu des Cinq \u00e9l\u00e9ments I<\/p>\n\n\n\n<p class=\"wp-elements-87fb107f69b961dd082f8a214b85d4ee has-link-color\"><br>De nombreux documents sont disponibles \u00e0 la <a href=\"https:\/\/mediatheque.cnsmdp.fr\/\" data-type=\"URL\" data-id=\"https:\/\/mediatheque.cnsmdp.fr\/\" target=\"_blank\" rel=\"noreferrer noopener\">m\u00e9diath\u00e8que du CNSMD de Paris<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Discographie Hy vong 267&nbsp;&nbsp;Jean-Claude Malgoire et Dani\u00e8le Salzer&nbsp;CBS POOT.S.3461142&nbsp; Incarnations structurales&nbsp;Trio Nordmann&nbsp;ERATO STU. 70706&nbsp; Ba doan khuc&nbsp;&nbsp;Bernard Fauchet&nbsp;Calumet 3732&nbsp; Tuong ni\u00eam&nbsp;Trio Debussy et Jacqueline Pierre&nbsp;GLB 010&nbsp; Chu ky III&nbsp;Marie-Claire Jamet&nbsp;ERATO STU.71160&nbsp; Trung dzuong&nbsp;Genevi\u00e8ve Ibanez&nbsp;REM 11009&nbsp; Chu ky I&nbsp;&nbsp;Trio \u00e0 Cordes de Paris&nbsp;ERATO-MUSIFRANCE, MFA 2292-45019-2&nbsp; Terre-Feu&nbsp;John Graham&nbsp;CRI 6017&nbsp; Ni\u00eam \/ Trung dzuong \/ M\u00e9tal-Terre-Eau \/ Terre-Feu [&hellip;]<\/p>","protected":false},"author":2,"featured_media":0,"parent":29,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}"},"_links":{"self":[{"href":"https:\/\/laurencebancaud.com\/en\/wp-json\/wp\/v2\/pages\/437"}],"collection":[{"href":"https:\/\/laurencebancaud.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/laurencebancaud.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/laurencebancaud.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/laurencebancaud.com\/en\/wp-json\/wp\/v2\/comments?post=437"}],"version-history":[{"count":13,"href":"https:\/\/laurencebancaud.com\/en\/wp-json\/wp\/v2\/pages\/437\/revisions"}],"predecessor-version":[{"id":928,"href":"https:\/\/laurencebancaud.com\/en\/wp-json\/wp\/v2\/pages\/437\/revisions\/928"}],"up":[{"embeddable":true,"href":"https:\/\/laurencebancaud.com\/en\/wp-json\/wp\/v2\/pages\/29"}],"wp:attachment":[{"href":"https:\/\/laurencebancaud.com\/en\/wp-json\/wp\/v2\/media?parent=437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}